ABC Bartending School

I had no in, so I did what suckers do: I signed up for a class advertised in the Reader next to massages and unwanted household goods. Had to borrow $200 from my folks to pay tuition.

The ABC Bartending School is above a liquor store in a lonely building in the West Loop. A makeshift classroom holds tables covered with bottles of yellow, red, orange, blue, pink, and green water and different glassware. Twenty students take turns making Pink Squirrels, Harvey Wallbangers, Fuzzy Navels, Sex on the Beaches, Kir Royales, and dozens of other cocktails we’ll never make if we ever land an actual bartending gig.

Our instructor is a tired-looking old fellow. He goes through the motions. What landed him at this sorry place is likely the same thing which landed his students here. No clear direction. No prospects. No way to pay for what we do because we have to. Bills due but the current gig is killing our insides. A half-hearted Hail Mary.

The ad in the paper promised an income of many hundreds of dollars a week and job placement upon graduation. After pouring many dozen ersatz forgotten cocktails into brandy snifters, cordial glasses, flutes, and Collins tumblers, we’re given a diploma and a hotline number updated every Friday morning.

For the next month I sit by the phone Fridays as 10 a.m. approaches, fingers ready to dial. The first half dozen places on the recording never change: Pizza chain, suburban hotel bar, Tex-Mex joint. I don’t have the heart to try them. I know I can’t handle a place with a uniform or a corporate employee manual. I’m too old for flair. I keep hoping for some neighborhood spot. A mom-and-pop.

Sharon’s message gives little description of her bar but I call anyway. She answers as if I’d interrupted something important. Like she’s running very late. We set a time for me to come by.

The Blue Light, with its standard-issue Old Style sign waving slowly in the wind, looks like every other Chicago tavern I’ve passed a million times without a second look. All have their own crowd for whom it is a home away from home, but unless it’s yours, it’s indistinguishable from its neighbor down the street or miles across town. Through the diamond porthole in the front door I see a rail-thin woman with curly brown hair and eyes popping out of her head running around a fiber-board-paneled bar decorated with peeling beer ads and neons. I push the door open and introduce myself.

After confirming I graduated from the bartending school, Sharon launches straight into training. I’m hired.

She shows me the grey lockbox under the bar filled with cash for poker machine payouts, stressing in no uncertain terms not to pay out to anyone I don’t know. Strangers are to be told the games are “for amusement only” like the stickers next to the screens of spinning slots say. Every other bar along that stretch of Western gets raided. The Two-Way, just up the street, closes down for good after they get busted. But the Blue Light is spared. So many of the regulars are cops and you don’t shit where you eat.

She shows me what to set the pizza toaster oven to and how the popcorn popper works. She tells me to add fifty cents to all drink prices after 2 a.m.—a kind of unhappy hour premium. Most of the business is transacted in those two unhappy hours.

I never ask Sharon about where the bar’s name came from. Did she and Kenny name it or inherit it from the previous owner? The Old Style sign swaying in the whipping wind above the door, likely from the 70s or before, hints at the latter.

Did whoever it was name it after the 1932 Leni Riefenstahl film? Or, perhaps, after Cherenkov radiation—the phenomenon responsible for the blue glow in nuclear reactors?

Maybe it’s a tribute to the sprawling police station across Western Avenue.

As one cop put it, “Blue isn’t the greatest color for visual perception but it works just fine for things that really matter.”

Tropic of Katchor

I picked up a copy of Henry Miller’s Tropic of Cancer about a week before the lockdown. It sits by my bed and I read a few pages most nights before going to sleep. When I started putting together my new Hack book, I had a strange realization. Many of the modes of phrase and mannerisms I was cutting or rewriting popped up in Miller’s book; some, nearly verbatim. I haven’t read Tropic of Cancer in about thirty years but when I started writing down cab stories only about ten years had passed. It must have been fresh in my mind. If anyone asked me to name books which were important to me as a writer, I wouldn’t have come up with Tropic in a million years. It came as a complete surprise what an impact the book has obviously had. 

The other book I’ve been reading is Ben Katchor’s The Dairy Restaurant. I’ve been a fan of Katchor’s for a while and would count him as an influence in some ways. But up till this book all I’ve read of his have been comics, whereas this is an illustrated book. There are a million permutations in the ways that artist/writers put together words and images, but The Dairy Restaurant is closer to the way I work than Katchor’s previous work. I’m still wrapping my head around what he’s up to but I’ve been enjoying it very much. Imagine taking all the digressive chapters of Moby Dick—like the history of harpooning et al—but making it all about Jewish eating history and you have some idea.

On the surface Tropic and Dairy have little in common, but to me they’re beginning to converge. Both are obsessed with food and August Strindberg is a bit player in each. Perhaps because I was so deeply involved up until a few days ago in my own editing and writing, I only had the energy and attention to get through a few pages of reading at a time. But now that the cabbie manuscript is out of my hands for a spell I can wrap up these two books

The Katchor book had been on my radar ever since its publication was announced, but the only reason I picked up Tropic of Cancer was that I’d read George Orwell’s essay, “Inside the Whale” a week or two prior. Orwell made Tropic sound so good that I wondered what it would be like reading it again after so much time has passed. I never would’ve guessed that it has been with me all along. As I’ve read it I keep thinking of Orwell’s own Down and Out in Paris and London. Now they’re talking to each other and to me across the decades. If I meet them again in one of Katchor’s Jewish restaurants, I won’t be surprised in the least.

Packed but nowhere to go

I’m packed and ready to go. Trouble is the move is still a month away. The walls are bare except for artwork in progress. After living in this apartment for over five years it is most of the way back to being unfamiliar. It hasn’t been a bad environment to get work done.

I leave the house once a day for a walk or bike ride. Wednesday was warm so I took a long ride. Marie had made some banana bread she wanted to share. That was reason enough for a trip to Garfield Park. I came home with my first sunburn of the year. There will be many more as summer kicks in. I hate the feeling, but is one of the markers of the year passing, so there’s value in it.

I finished a painting of boxes in my front room. That’s every book I own, plus art supplies and odds and ends. All that remains unpacked are clothes, cookware, and the art gear I’m still using. I expect to make several more paintings of these empty rooms before I leave May 2nd.

My big project this week has been working on a one-volume Hack book in time for the tenth anniversary of the first one’s publication. I’m aiming to release it early next year. Once I started opening the old files it was hard to stop. It’s pretty painful to reread a lot of the old writing, but the chance to polish it up and reconfigure it into a new thing makes it feel worthwhile. I’m looking forward to doing a whole new layout once the edits on the text are complete as well.

I’ve settled into this new routine very well. I could see it continuing to be a productive time for weeks, even months. But I know that I’m very fortunate to have food in the refrigerator and a roof over my head and much fewer concerns than many. Reading the news every day leaves me feeling helpless so all I know to do is dive back into my work. I hope you all have enough to do to occupy this time rather than lapsing into bad thought loops. I wish I had more to say or wise advice or jokes. I wonder how people will be changed by this plague time. I doubt I’ll be any different, but who knows?