Lizard Lounge

New Year’s Day I met my brother and his wife for brunch at some new spot on Centre Street in Jamaica Plain. When you haven’t lived in a town in over twenty years every corner of it you once knew becomes more and more unknown. After we were seated, I tried to recall the breakfast spot I liked along this stretch in the 90s but couldn’t remember its name nor address. Model rockets were suspended over the length of the small room and menu items were all galactically-themed. But Boston itself is becoming like outer space to me now.

I visit once or twice a year because my parents live here. I have dinner with Harry and Amy and maybe do something with my brother; otherwise I’m mostly at my parents’ house till it’s time to go to the airport. They’re getting older so there are errands I can run to make their lives easier and I’m happy to do so. The New Year’s Eve celebration—a mainstay of any Soviet Jew’s childhood—has dwindled down to just a few friends now. I hardly ever get baited into the political conversations that go on around the table but fell for the trap this year. An ignorant statement about Mexican illegal immigrants overrunning the US border with narcotics made me blow up a little. I felt the need to remind the gathering that we were all immigrants. It was kind of pointless but this is no time to let hateful and flippant pronouncements stand. Afterwards I did dishes till past 3am just like most other years.

After brunch with my brother I had a few hours to kill before an afternoon show at Lizard Lounge. A few weeks ago Thalia Zedek had played Chicago and told me she’d playing at this Cambridge spot New Year’s Day. I was so happy to have something to do in Boston that I promised her I’d be there. I drove my parents’ car in a meandering route from J.P. to Cambridge. I was searching for a coffeeshop to park myself at for awhile and eventually located one in Inman Square. College kids to my left had spread out some board game over two tables and were trading first-love stories, while on my right a poorly-matched Russian-speaking couple were trading monosyllabic banter in the few second intervals each wasn’t glued to their phones.

I thought I’d been to Lizard Lounge before but ended up driving up and down Mass Ave three or four times before spotting the sandwich board by the door to Cambridge Common indicating the entryway to the little basement club. I was early as always so I went into the sprawling bar and grill upstairs and ordered a Bloody Mary. At 3:30pm I was third in line waiting for the club’s doors to open. Downstairs the couple ahead of me quickly took over the prime tables so I was forced to take one to the left of the stage. If I’d been in this place before I had no memory of it, but it was snug and comfortable and quickly filled with people. Most seemed to know each other. I waved hello to Thalia and got some rye with a couple ice cubes.

My table was right by where David Curry—Thalia’s viola player— was setting up. He nodded my way but I figured he’d recognized somebody behind me. I mean you he pantomimed. I’m not sure whether I’ve ever talked to him before but I have at least half a dozen drawings of the guy. Sitting off to the side ended up a good thing as I could watch both the band and the audience. There were fifty people tops in the place but it felt like a full house. After they were done I talked to Thalia a minute. I thanked her for the music and asked if she’d be into playing a show to celebrate the release of my book in the spring. She seemed into it. I left before the next band started, not wanting to spoil the good feeling.

I met Harry and Amy at a drafty Asian food court in Allston. I’ve known them since the 80s. Harry was my manager at the Coolidge Corner Theatre and Amy rented the ovens at Edibles (where I worked) for her dessert business. They’re basically my only Boston friends and a trip to town wouldn’t be the same if I didn’t break bread with them. Even in that oddly unwelcoming environment I was glad to see them.

Driving back to my folks’ place afterwards I was struck by how little emotional charge this town retained over me. I spent eleven years of childhood and then three more in my twenties here but I might as well have been driving through the place for the very first time. I’ve reflexively said I hate Boston almost since we arrived here in 1978 but now I can no longer call up the vitriol to even say that much about it. Whatever negative power it once had is now mostly gone. It’s just a place where some family and friends live. If they weren’t here I’d never come again. But as long as they’re here I’ll keep coming back. Finding my way around will become harder and harder. Maybe that’s for the best since this isn’t my home.

The Chi

Marie lent me her Showtime password so I was able to finish watching The Chi  this week. I saw the first three episodes as they aired, but chose not to keep paying for a subscription to the channel just to watch this one show. This is a common quandary these days. You watch one thing on an app, another on a channel, a third on your wristwatch, a fourth in a movie theater, a fifth on a network. It’s a neverending Tower of Babel to traverse just to find a good story or two. 

Chicago is a city overflowing with stories. Yet, as far as the larger culture is concerned it’s still Al Capone/Wrigley Field/deep dish pizza/gang violence/political corruption and little else. On TV in particular, the representations of the city have been atrociously one-dimensional, from the late, unlamented The Chicago Code to the sick and seemingly endless Dick Wolf franchises. Shameless was fun for awhile but it never had any clue about the city and Boss had its moments but was cancelled before it really got its sealegs. 

Movies haven’t done much better but there are occasional glimpses of the city I know. My friend, John McNaughton, has made several movies which show off the city and suburbs—particularly Henry: Portrait of a Serial Killer, Normal Life, and Mad Dog and Glory, as has Andrew Davis in Stony Island, The Fugitive, et al. But recently, Spike Lee’s Chiraq made a grotesque and simplistic caricature of the city’s (and country’s) very real problems and dumb rom-coms like The Breakup present a place I’d never want to live in. 

I’m reminded of The Breakup regularly because tourists and yuppies from outside Pilsen regularly poke their head into The Skylark, where I bartend, to confirm it’s the bar from that movie. Many TV shows and movies have been shot there over the years, but The Breakup is the one which the place is identified with more often than any other. I’ll watch anything shot in the city, particularly in places I’m intimately familiar with, so I was really happy to see the bar in an extended sequence in the final episode of The Chi’s first season. 

What I love about the show, aside from the nuanced characters and compellingly complex storylines, is that its creators obviously know Chicago is more than El tracks, the Sears Tower, and the lakefront. Watching the show, I recognize many places presented with enough of their actual context intact that, though of course the geography and much else has been reedited to suit dramatic ends, I still see the city I know. 

By using places like the Skylark and HaiSous on 18th Street as settings the show allows me to suspend my disbelief enough to follow along, while not questioning the underlying premises the way I do when I suffer through something like Chicago P.D. 

It’s fun to see the way they redid the decor in the bar too. In the screen cap above, for instance, there are two dartboards which don’t usually hang on that wall. I regularly field calls asking if we have a dartboard or pool table, so seeing them on the show made me laugh. Seeing make-believe made in a real place which means something to me adds an extra level of resonance to a show that I enjoyed already. Hope they come back and shoot at the bar again next season.

Maybe they’ll put in a pool table this time.

a listless list

Year-end lists are stupid and lazy. A reduction of art to sports. Luckily (or unluckily) for you, I feel kind of stupid and lazy at the moment, so here are some things I enjoyed in the past year. 

 MOVIES  

At Eternity’s Gate 

Zama 

The Favourite

Shoplifters 

The Area 

Phantom Thread 

Monrovia, Indiana 

First Reformed 

Sorry to Bother You 

Loveless 

Mr. Soul! 

The Other Side of the Wind

 Fanny and Alexander

 Can You Ever Forgive Me?

Plays 

 Frankenstein 

HeLa 

White Rabbit, Red Rabbit

 Frost/Nixon

 The End of TV No Blue Memories  

Books 

Chicago—From Vision to Metropolis (Whet Moser) 

The Nix (Nathan Hill) 

Cherry (Nico Walker) 

The White Album (Joan Didion) 

Down and Out in Paris and London (George Orwell) 

Eat Only When You’re Hungry (Lindsay Hunter) 

Articles I Wrote 

 “Chicago’s Punk Rock Librarian”

 “Old-Fashioned Days”

 Chris Ware interview/profile

 Wendy Clinard profile

 Brian Wells profile

 “Ashley Cooper’s American Ego”

Art Shows 

Ukiyo-e masterpieces at the Art Institute

The Milton Resnick and Pat Passlof Foundation 

Ignacio Iñarritu at SUNY/Purchase

Concerts

Health & Beauty performing Neil Young’s “On The Beach” at the Hideout, 3/17/18. 

Jason Stein’s Locksmith Isidore at the Hideout, 5/29/18. 

Minibeast at the Hideout, 8/8/18.