My 46th

I’ve never been much for traveling or celebrations but sometimes it’s good to do the opposite of your fallback impulse, so I booked a trip to New York for my birthday. My problem with travel goes back to immigration—my gut feeling whenever I have to leave any place is that it’s a punishment or exile; as for holidays, I just rarely feel up to the occasion when I’m told to be up for it. The better a time and the bigger the group, the more miserable I tend to be. But for my 46th birthday I decided to mark the occasion and try to enjoy it.

I flew into LaGuardia in the morning, took a bus to Jackson Heights, and the F train to Manhattan. I had a 1pm lunch date with my podcasting pal GIl at Katz’s but was about an hour early so I got off at 34th Street and started walking south down Broadway. Walking is probably the main reason I come back to New York. To navigate its ceaseless sidewalk stream is one of life’s special pleasures. No one walks like a New Yorker—each and every one goes forward with little to no acknowledgement of anyone else, focused entirely on their own unique and vital destination. The fact that more than half now have their faces magnetically drawn to glowing screens adds another level of complexity to the enterprise.

Greeting Gil in the roped off waiting area/holding pen at Katz’s, I was surprised to learn he’d never been there before. It’s often the case though that a local will ignore landmarks and popular attractions. This was my third visit. I like the place for many of the same reasons I like the city it’s in: it is brusque, loud, overpriced, and out-of-date, but carries itself as if it is the center of the universe and will continue to be so until it serves its last latke. Gil insisted on paying for my $19.95 pastrami sandwich after learning it was my birthday, then led me to a Soho bookstore. Going to an unfamiliar bookstore after these last years of being involved in the literary racket is a different experience. Now the jackets of books I’ve reviewed call attention to themselves like forgotten friends. It’s similar for Gil, as he sees past and future interviewees all over the shelves.

He left me outside a coffee shop in Union Square where I was to meet Alina. It was much too loud to talk inside so we walked to a nearby park named after Peter Stuyvesant. She told me about the article she was working on about a couple of explorers who were building their very own spaceship after already colonizing the North and South Poles and I told her about how the book review racket had suddenly dried up for me and about how I was at a loss on what to do with the book I finished a year ago. Then we walked toward Chinatown to pick up her daughter from daycare. 

I peeled off at Canal and made my way toward the Jane Hotel in the West Village. I’d stayed there a couple years ago with Shay and there was a possibility that that fact would be a drag on the festive occasion of this visit. Was I trying to wallow in past failure? No, luckily, as it turned out, she’d just had good taste in hotels and I wasn’t familiar with any others so I went with a known quantity. A single at the Jane is tiny and resembles a ship’s quarters with shared showers and latrines down the hall. It was ideal for my purposes. I rested an hour, then went back out.

On 8th Avenue in Chelsea I stopped at a dumpy tavern I recognized and had my first birthday drink. The Billymark has countless photos of the Beatles and other bygone rockstars on its walls but little else in the way of charm to recommend it. It’s the kind of place you go because it’s on the way to somewhere else and the drinks will be cheaper here than the place you’re going. I gulped down my Wild Turkey and kept walking. 

It was a little early to meet my folks for dinner so I stopped at a sports bar next door for another drink. I paid about double the Billymark’s rate for a whiskey and watched a couple innings of a Mets game on the TV. I’d chosen Keens after a quick online search for oldest New York steakhouses and it didn’t disappoint. The ceilings were covered with upside-down churchwarden pipes, the walls with old portraits, newspaper caricatures, and hunting scenes, and our plates were entirely occupied with expertly-prepared pieces of beef.

My parents had taken the bus down from Boston and my mother had brought along a garment bag full of birthday clothes which now awaited in Keens’ coatcheck. We made plans to meet at the Whitney the next day and went our separate ways. They were going uptown to stay with friends, while I was going to the Lower East Side to have a final birthday drink with a new acquaintance. Boris is a fellow emigre whose second book I reviewed earlier in the year. He met me outside the East Broadway station and took me to a loud place filled with young people. He told me he was sick of New York and couldn’t wait to leave. The group playing pool just behind our backs kept screaming at the top of their lungs and Boris wearily pointed to them as the perfect embodiment of everything he hated about the city. I asked where he wanted to move to and he said the West. He was attracted to barren expanses. The novel of his which I’d written about took place in just such a locale, so perhaps he was giving his characters his own dreams. Willing them to go to the places he himself wished he could go.

The Whitney was just a couple blocks from my hotel. I sat on the windswept plaza outside reading a book while waiting for my folks to show up. A steady stream of taxis and towncars dropped off well-heeled museum visitors as hopeful cafe workers set up outdoor tables for lunch service. It had been drizzling and overcast all morning, so I doubted they’d have many takers. Despite the weather everyone was taking pictures of each other with expensive-looking cameras or selfie sticks. One man passed by several times, trailed by an entourage of young people, seemingly narrating his walk into his phone.

When my parents arrived we took the elevator up to the eighth floor. We spent more time on the decks of each level, looking out at the city, than any of the art inside, though the oversized candle wax sculpture of Julian Schnabel slowly melting—the remnants of his face already at his feet—was a highlight. We walked a bit along the High Line, which begins outside the museum’s entrance, then stopped for lunch.

We flew into Kennedy Airport when we came to this country back in 1978 so visiting New York with my folks will always have a particular resonance, but that journey felt even further away than the thirty-eight lapsed years as we said our goodbyes on the subway platform at 8th Avenue and 14th Street. They’d stay in town another day while I was headed back to LaGuardia and on to Chicago. After a couple days away I was ready to go home. I’m glad I went though. Maybe this traveling thing isn’t as bad as I always assume it will be. So long as it comes in small quantities.

Waking Dream

I called this new painting “Waking Dream” in honor of my friend Laura Park‘s comic book, Do Not Disturb My Waking Dream, which sits near the top right corner of the composition. But this picture has little to do with what Laura draws and writes about and probably little to do with any of the other books it depicts. One of the reasons I’ve kept revisiting the bookshelf motif is that it allows me to think about some of the words, pictures, and thoughts between the covers of my books while rendering them as near abstractions. I’ve been doing these for almost twenty years now and I have less and less interest in nailing details or making any of the spines, covers, or backs recognizable to anyone but myself. They’re not scavenger hunts or puzzles to be solved. That’s not to say that my interest is purely formal; a painting like this wouldn’t have the same meaning to me if it was done without looking at a shelf of books I myself collected over the decades.

What it might mean to someone else is another thing entirely. I’ve never spent much time consciously embedding messages or meanings for viewers to uncover in my pictures. They’re not puzzles or whodunnits. But painting is nevertheless a kind of communication, however indirect, poetic, or elusive. The reason to put marks on a surface—be they words, lines, or paint strokes—is a desire to connect to others in some way. Otherwise there is no reason to keep these things around. I’ve never understood artists or writers whose only audience is themselves. If anything, almost everything I’ve ever made is an attempt to get out or past myself. But what others get from my efforts isn’t anything I could, or would ever want to, shape or control.

Painting is a solitary thing but its purpose is the opposite of solitude. It would be horrible and profoundly disappointing to learn that all these years I’ve just been talking to myself. I hope and have to believe that isn’t so. 

What paintings try to say was probably on my mind already because a few days before I finished “Waking Dream”, I went to 57th Street Books to hear Eric Plattner and Kathleen Rooney present the first English edition of Rene Magritte’s writings, which they co-edited. I’ve never been much of a fan of the man’s work but perhaps reading his words will help me make a little more sense of my own paintings.

You’ll Do Better Here

On Wednesday I rented a car and drove to Toledo. My friend John Hodgman would be talking on stage to his friend Sarah Vowell and that seemed like reason enough for a road trip. I don’t drive much these days so getting behind the wheel has come to feel almost exotic; a break from my routine and thus an odd but not unwelcome treat.

The route from Chicago to Toledo is pretty much a straight shot east and utterly unremarkable in terms of scenery aside from the industrial remnants of Gary, Indiana, which don’t require a trip to Toledo to see for a Chicago resident. But forgettable scenery leaves room for a mind to drift. I can’t recall much of that drift now but know it didn’t follow a pattern likely to be inspired by a walk or city bus ride—my usual modes of transport. I listened to podcasts too. Marc Maron talking to Ron Perlman, Terry Gross talking to Ray Liotta, and Brad Listi talking to Nicole Dennis-Benn. There wasn’t much traffic up until about five miles from my exit, when the tollway cut down to one lane for construction we crawled for about twenty minutes.

Because I no longer have a smartphone, I’d printed out the Google Map directions but managed to make a wrong turn anyway. I tried to correct course on my own but quickly gave up and asked for help at a gas station. Not having the internet handy forces one into more face-to-face interactions, which is not a bad thing for those of us who are naturally antisocial. As I passed under the tollway, Toledo’s city limits greeted me thus: You’ll Do Better Here. 

The Stranahan Theater is an enormous brutalist edifice which I first drove up to from a side entrance. The path was decorated by a Private Property sign and a couple realtor’s For Sale ads. The place looked forlorn and deserted. Only a few cars in the vast lot and an old LED sign out front, periodically announcing that Pat Benatar and Dream Theater would be gracing the Stranahan’s stage soon. It was about an hour before doors were to open so I drove off in search of food. 

Before leaving Chicago, I’d done a search of Toledo’s culinary choices, but nothing jumped out at me enough to print out more driving directions. Leaving the Stranahan’s lot, I turned in the opposite direction from where I’d come and quickly passed a completely ordinary-looking establishment called Ideal Hotdog. I doubled back and went in. I seated myself by the window and a friendly waitress asked if I needed a menu. The other diners were a couple solitary old men and a young family. I doubt any of them would’ve needed the menu. I ordered two Ideal Hot Dogs with fries. They arrived in front of me moments later, each covered in chili consisting entirely of crumbled meat. I texted John that I was in town and he asked if I could bring him a hot dog as a prop for his show.

I’ve known John since high school and it’s been quite a thing to watch his star rise. Each time he comes through Chicago his audiences seem to grow and his stage act seems to evolve and deepen. But Toledo’s not Chicago and judging by the almost deserted parking lot this show would not be a rousing success.

In the lobby a few fans milled around. Elderly women with nametags wandered about, making preparations to open the box office and stocking the snack bar with potato chips. One came out and announced that they wouldn’t be taking credit cards for ticket sales. This was a far cry from the typical Chicago Hodgman appearance, which usually sells out and seems carried along on the palpable excitement of his adoring fanbase of bespectacled nerds. In the VIP area to the side of the lobby, I handed John his hot dog and we made plans for drinks afterwards. To my surprise, by showtime the cavernous hall was more than half full. John’s polish worked well with Sarah’s deadpan reticence. Each read from their work. Sarah’s list of odd world despots included the three False Dmitrys, who were pretenders to the Russian throne and who I was very happy to learn about.

One of my favorite things about going to see John perform is the signing line afterward. In Chicago last time, this meet-and-greet lasted longer than his actual show. I love to sit just off to the side and watch the fans in queue psyche themselves up to meet their idol. What do you say to someone who means so much to you but doesn’t know the first thing about you? John is unfailingly gracious with these people because perhaps he’s not so far removed from knowing what it’s like to be in their place. At one point, Sarah remarked in mock annoyance, “You really take your time with them, don’t you?”

We drove to a deserted bar in downtown Toledo. Then crossed the street into a slightly less deserted one. There was barely anyone about on the streets at 10:30pm. A couple of John’s friends who drove in from Columbus joined us, while Sarah begged off citing exhaustion and having reached her socializing limit for the night. After a couple rounds we called it a night too. I had a four hour drive back in front of me and wasn’t about to do it drunk.

Twelve years driving cab and another three delivering Thai food have made driving almost effortless for me, but I was tired enough to pull into a rest area and take an hour nap. I made it back to Chicago by 4am, exhausting the rest of the saved podcasts on my iPod. I can’t say what Toledo meant with its You’ll Do Better Here motto and I’ll take a Chicago hot dog over an Ideal one every time, but I’m glad I went to see my friend and his friend get on stage and do their thing.